Recorded at The Art Students League of New York, June 2024.
Included with this award is a two-week residency to La Maison de Beaumont in Provence, France. Scheduled for Spring of 2025.
Professor Ito was introduced to Dorfman by Historian/Curator, Tom Wolf.
The Art Students League of New York. Moderated by Dr. Ksenia Nouril, ASL Gallery Director and Curator.
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 The Courtesan Okichi, 2017 canvas, metal, wood, paper, acrylic 65 x 49 x 3 inches |
Bruce Dorfman's Hachimantaro, 1964, (acrylic and magna on canvas, 72 x 36 inches).
Pictured with Hachimantaro is Arden Sherman – Glenn W. & Cornelia T. Bailey Senior Curator of Contemporary Art,
Norton Museum of Art, West Palm Beach, Florida
Propellor, 2007
Assemblage Painting55 x 71 x 4 inches
Assemblage Painting55 x 71 x 4 inches
Cameo, 1969
canvas, oil, wood, glass
46 x 48 inches
canvas, oil, wood, glass
46 x 48 inches
Review appears in The Pitch, Kansas City, Missouri.
Installation photo of Tensile Strength at the Kemper Museum of Contemporary Art, Kansas City, MissouriArtists (left to right): Jaume Plensa, Chakaia Booker, Bruce Dorfman (2 works).
Extended through June 2023
Enso, 2011canvas, metal, fabric, paper, acrylic
64 x 61 x 6 inches
64 x 61 x 6 inches
The Weight of Light, 2016canvas, metal, wood, fabric, paper, acrylic
65 x 62 x 6 inches
65 x 62 x 6 inches
Cameo, 1968
canvas, oil, wood, glass
46 x 48 inches
canvas, oil, wood, glass
46 x 48 inches
Affirmation, 2022
combined media on canvas
37 x 33 x 4 inches
combined media on canvas
37 x 33 x 4 inches
The Weight of Light, 2016canvas, metal, wood, fabric, paper, acrylic
65 x 62 x 6 inches
65 x 62 x 6 inches
Kizuki, 2016canvas, metal, wood, fabric, paper, acrylic
62 x 60 x 6 inches
62 x 60 x 6 inches
Enso, 2011canvas, metal, fabric, paper, acrylic
64 x 61 x 6 inches
64 x 61 x 6 inches
The Southampton Arts Center, Southampton, NY.
Koniro, 2017canvas, metal, wood, fabric, paper, acrylic
56 x 31 x 3 inches
56 x 31 x 3 inches
The Woodstock Artists Association and Museum, Phoebe & Belmont Towbin Wing, Woodstock, NYCurated by Tom Wolf. Catalog available.
Woodstock Poster, 1968serigraph-litho
Hand signed
36 x 24 inches
Hand signed
36 x 24 inches
October Rising, 2017canvas, metal, wood, paper, acrylic
56 x 36 x 6 inches
56 x 36 x 6 inches
Portuguese Doorway, 1993paper, metal, wood, pencil, gouache, acrylic30 x 20 inches
Flite VIII, 2015canvas, wood, metal, paper, acrylic58 x 45 x 6 inches
Enso, 2011canvas, metal, paper, acrylic64 x 61 x 6 inches
Bernini's Dream, 2011canvas, metal, paper, fabric, acrylic60 x 60 x 6 inches
3:30 at Noon, 2018cavas metal, wood, paper, pencil, acrylic63 x 31 x 5 inches
October 2018
"On the Cover – Bruce Dorfman on view at June Kelly Gallery, New York" Blouin Gallery Guide, October 2018.Cover; reproductions; article; listing.
March 2018
Woman, Early Stripes, 1968 to be published in a catalog of recent gifts to the Harn Museum, at the University of Florida.
As reported in Linea: The Artists' Voice: "The lithographer for this work was the historic Atelier Mourlot, Paris, when they set up shop in New York City, working with artists over a period of two years. Dorfman had his own studio, with an assigned master print assistant in 1968. During that time, he developed friendships with Jose Cuevas, Robert Rauschenberg, Alex Katz, and Francois Gilot, who were all working on editions there. Dorfman completed a total of five separate commissions at Mourlot." This print was commissioned by Kennedy Galleries, NYC.
January 2018
Artistic Vanguard: The 1960's at The Art Students League; Phyllis Harriman Mason Gallery, The Art Students League of New York, NYC
2017 – 2018
Celebrating 30 Years: Group Show, Drawings and Photographs; June Kelly Gallery, NYC
Exhibition review in Art Daily, December 23, 2017. Reproduction.
May 2017
Gold Hermes International Creative Award – Bruce Dorfman: Past Present catalogue.
PDF version of catalogue available here.
March 2017
Bruce Dorfman Retrospective Exhibition 2016 - A Short Film Visit
January 2017
Recipient of 2017-2018 Pollock Krasner Foundation individual grant.
September - December 2016
Past / Present: The Years 1988 - 2016
Retrospective exhibition at Monmouth University, Monmouth, New Jersey
September 6 - December 18, 2016
July 2016
Art, Work, and the Workaday
'Hyperallergic' review of the Ways and Means exhibition written by Thomas Micchelli.
July 2016
The Critic's Notebook
'The New Criterion' review of Ways and Means exhibition.
July - October, 2016
Ways and Means: A New Look at Process and Materials in Art
1285 Avenue of the Americas Art Gallery, New York City.
Group exhibition curated by Jason Andrew. Exhibition catalog.
September 2015
Nine Art Events to Attend in New York City This Week
ARTNEWS
September 2015
12 Must-See Lower East Side and SoHo Gallery Shows
Art Dealers Association of America (ADAA)
September 2015
Bruce Dorfman, Artist & Mentor
Maureen Mullarkey in Studio Matters – Review of solo exhibition at June Kelly Gallery, New York City
September 2015
Bruce Dorfman Solo Exhibition 2015
Video walk-through of solo exhibition at June Kelly Gallery, New York City
April 2015
Bruce Dorfman Recalls Yasuo Kuniyoshi
Smithsonian American Art Museum interview on the occasion of the exhibition The Artistic Journey of Yasuo Kuniyoshi.
The Courtesan Okichi, 2017canvas, wood, metal, paper, acrylic65 x 49 x 3 inches
As reported in Linea: The Artists' Voice: "The lithographer for this work was the historic Atelier Mourlot, Paris, when they set up shop in New York City, working with artists over a period of two years. Dorfman had his own studio, with an assigned master print assistant in 1968. During that time, he developed friendships with Jose Cuevas, Robert Rauschenberg, Alex Katz, and Francois Gilot, who were all working on editions there. Dorfman completed a total of five separate commissions at Mourlot." This print was commissioned by Kennedy Galleries, NYC.
Woman, Early Stripes, 1968
color lithograph
30 x 22 inches
Collection of Smithsonian American Art Museum
color lithograph
30 x 22 inches
Collection of Smithsonian American Art Museum
Cameo, 1969
canvas, glass, wood, oil
46 x 48 inches
canvas, glass, wood, oil
46 x 48 inches
Exhibition review in Art Daily, December 23, 2017. Reproduction.
Torso, 2009
paper, pencil, gouache, acrylic
24 x 18 inches
paper, pencil, gouache, acrylic
24 x 18 inches
PDF version of catalogue available here.
Retrospective exhibition at Monmouth University, Monmouth, New Jersey
September 6 - December 18, 2016
'Hyperallergic' review of the Ways and Means exhibition written by Thomas Micchelli.
'The New Criterion' review of Ways and Means exhibition.
1285 Avenue of the Americas Art Gallery, New York City.
Group exhibition curated by Jason Andrew. Exhibition catalog.
ARTNEWS
Art Dealers Association of America (ADAA)
Maureen Mullarkey in Studio Matters – Review of solo exhibition at June Kelly Gallery, New York City
Video walk-through of solo exhibition at June Kelly Gallery, New York City
Smithsonian American Art Museum interview on the occasion of the exhibition The Artistic Journey of Yasuo Kuniyoshi.